Mothing: Life Beyond the Edge of Awareness
Print Media by Joseph Scheer
Print Media by Joseph Scheer
Gallery talk: Friday September 11
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Punkt 2015: Peer Bode
Punkt 2015: Peer Bode
http://punktfestival.no/punkt-2015-peer-bode/
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| PUNKT 2015 Festival in Kristiansand, Norway, last Saturday, Peer Bode performing the live cinema video event, Hermes. |
Peer Bode (b. 1952, Rosenheim, Germany) is an artist, educator, and independent-media studio advocate. Bode is a second generation American video artist, his work first appearing in the mid 1970’s. He is associated with the New York, Owego and Alfred schools of independent media art. Bode is Professor of Video Arts and Co-Director/Co-Founder of the Institute for Electronic Arts at the School of Art and Design, NYSCC at Alfred University, Alfred, New York.
Working in film up until the early 1970s, Bode then moved into emerging electronic moving-image media. Peer Bode had been exposed to electronics by his father Harald Bode, pioneering developer of electronic musical instruments. Working as programs coordinator for the Experimental Television Center in Owego, New York, Peer Bode collaborated with numerous resident artists and engineers in creating a DIY community and artist project committed to “tool expansion” and “personal studio making.”
Recognizing the imposed limits of industrial and consumer technology, Bode sought to externalize the “hidden coding and control structures” of the video signal. As a new media arts practitioner, Bode harnesses historical and emerging media technologies in a reflexive investigation that explores and presents electronic images and sounds in their historical, phenomenological and semiotic conditions. Bode’s work presents spaces, times and transitions that are giddy, excessive, autonomous and poetic, specifically through the synthesis of audio and video signals Peer Bode’s work has been exhibited and collected worldwide, including the Whitney Museum of American Art, Whitney Biennial, the Museum of Modern Art, ICA London, European Media Art Festival, Beijing Film Academy and National Museum of Modern Art Tokyo. He is represented in ”Surveying the First Decade, Video Art and Alternate Media in the United States”, Video Data Bank, Chicago, IL. Peer Bode is cited in the recent book “The Emergence of Video Processing Tools: Television Becoming Unglued”. Intellect Ltd. UK 2014. Bode has collaborated on numerous electronic tool building projects with video systems designer David Jones and artist Ralph Hocking.
Peer Bode and Andrew Deutsch are founding members of the electro-acoustic “Carrier Band” with Pauline Oliveros, Stephen Vitiello and Rebekkah Palov. Their CDs are available on Deep Listening Publications and IEA and are distributed by forcedexposure.com. Peer Bode is the Director of the Harald Bode Archive.
Peer Bode will participate in Punkt Seminar on Friday September 4th, 12:00 – 12:45, at Klubben. His work “Electric Videos Dream of Niagara Falls”, subtitle: “The Learning” will looped and continuously displayed in Hall 7 of Kristiansand Kino from 11:00 to 23:00, while Peer Bode will give live renditions of his piece “Hermes” in Hall 7 14:00 – 14:45 on both Friday and Saturday.
Mothing: Life Beyond the Edge of Awareness Joseph Scheer
Indigo Art
| Artist Reception and Gallery Talk: Friday, September 11th, 7-9pm
47 Allen St Buffalo, NY (716) 984-9572
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Line to Ligature Exhibit In Turner Gallery
Line to Ligature seeks to explore the functionality of type in a fine art context. Typography exists in the visual world that surrounds us, yet in most instances its purpose is for function rather than aesthetic. Type can hold a similar emotion and meaning to common elements found across the arts. This exhibit therefore aims to prove the aesthetic value hiding within typography’s functionality.
Ann Hamilton Reflection prints part of Typology- Morphology -- Work from the institute for Electronic Arts, on view now at SOAD's Fosdick Nelson Gallery, September 4th - October 9th.Students admiring Ann Hamilton's prints at the opening of: Typology- Morphology -- Work from the institute for Electronic Arts, this past Friday evening. Ann produced this series of prints titled: Reflection, A suite of 12 Iris prints on Arches watercolor paper. Ann has been to the IEA numerous times since it was founded in 1997 and has produced several very large print series.
Ann Hamilton Reflection
prints part of Typology- Morphology -- Work from the institute
for Electronic Arts
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Students admiring Ann
Hamilton's prints at the opening of: Typology-
Morphology -- Work from the institute for Electronic Arts, this past Friday
evening. Ann produced this series of prints titled: Reflection, A suite of 12 Iris prints
on Arches watercolor paper. Ann has been to the IEA numerous times since it was
founded in 1997 and has produced several very large print series.
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http://www.dispatch.com/content/stories/local/2015/09/04/osu-art-professor-to-get-national-medal.html
Ann Hamilton was one of the earliest artists to work at
the IEA. Over the years she has returned many times producing a monumental body
of printed works. She often works in large series, from which a selection of
images are then used to produce individual editions. A recent example of this
working practice is the Phora series, which
includes a set of twelve prints that were editioned and two copies of the
complete series of one-hundred-ninety-two prints.
Excerpt from the Exhibition Catalog
about Ann Hamilton
The Reflection Series was the third group
of prints made by Hamilton at the IEA. These images mark the occasion
Hamilton’s installation myein at The United
States Pavilion 48th Venice Biennale 1999. The images are reflections of the
artist on multiple layers of glass that were stacked in preparation for the
construction of a gridded wall that would cross the entire facade of the United
States Pavilion in Venice. Photographed at five minute intervals, the series
documents the shifting weather as seen through the recently uncovered pavilion
skylights.
“She is a
visual artist internationally recognized for the sensory surrounds of her
large-scale multi-media installations. Using time as process and material, her
methods of making serve as an invocation of place, of collective voice, of
communities past and of labor present. Noted for a dense accumulation of
materials, her ephemeral environments create immersive experiences that
poetically respond to the architectural presence and social history of their
sites. Whether inhabiting a building four stories high or confined to the
surface of a thimble, the genesis of Hamilton’s art extends outwards from the
primary projections of the hand and mouth. Her attention to the uttering of a
sound or the shaping of a word with the hand places language and text at the
tactile and metaphoric center of her installations. To enter their liminality
is to be drawn equally into the sensory and linguistic capacities of comprehension
that construct our faculties of memory, reason and imagination.” http://www.annhamiltonstudio.com
Among her many honors, Hamilton has been the recipient of
the Heinz Award, MacArthur Fellowship, United
States Artists Fellowship, NEA Visual Arts Fellowship, Louis Comfort Tiffany
Foundation Award, Skowhegan Medal for
Sculpture, and the Guggenheim Memorial Fellowship. She represented the United
States in the 1991 Sao Paulo Bienal, the 1999 Venice Biennale, and has
exhibited extensively around the
world. Her major commissions include projects for the Park Avenue Armory, The
Guggenheim Museum, New York,
Contemporary Art Museum, Kumamoto, Japan, La Maison Rouge Fondation de Antoine
Galbert, Paris, France, The Musee d’art Contemporain, Lyon, France, The
Stedelijk Van Abbemuseum, Eindhoven, The Netherlands, The Museum of Modern Art,
Tate Gallery, Liverpool, Dia Center
for the Arts, New York, and The Museum of Contemporary Art, Los Angeles.
Typology- Morphology
Typology- Morphology -- Work from the institute for Electronic Arts, on view now at SOAD's Fosdick Nelson Gallery, September 4th - October 9th.
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| Traci Molloy made it to the opening and had a very large print in the Exhibition. She is talking with Will Contino in the photo. |
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| Students Viewing Oliver Herring's prints - Cheryl - Iris Prints on Somerset Satin Paper 35 x 47” |
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| Luftwerk's piece. Video projection mapping on Very large digital print-- printed on Somerset Satin |
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| Jessica Earle Incoming Electronic Integrated Arts MFA grad discussing Huang Yan's work with Freshman Foundation students. |
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| Ann Hamilton's Reflection Series, Iris prints, 46 x 34" on Arches watercolor paper |
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| Joseph Scheer, Andrew Deutsch and Yibo Xu in front of Luftwerk's piece. Spectrum. Video projection mapping on very large digital print-- printed on Somerset Satin 60 x 60" |
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